________________
It was difficult to ask Evelyn Amony questions during Day Two of the 2026 Kampala Writes LitFest at the National Theatre. And it was not because, having stopped formal education in Primary Four, her English was sketchy. She had an interpreter to help with that.
Amony lives with the unwanted reality that for 11 years she was one of Joseph Kony's 'wives'. The leader of the Lord's Resistance Army abducted her from her home when she was eleven. She gave birth to her first child at 14, and went on to have two more, although she has not seen her third child for 20 years.
She eventually escaped and has put her experiences in a book, I Am Evelyn Amony. Published after years of difficult soul-searching, the book was the subject of a discussion on Saturday afternoon, moderated by Beatrice Lamwaka.

Ama Dadson, Chika Unigwe, and Mirrianne Mahn, at the Kampala Writes LitFest, National Theatre, on Saturday. Right is Beatrice Lamwka
Those two BookTalks capped what was a fiery and at times explosive second day of the festival. The morning featured a panel on 'Beyond Literary Recognition', where award-winning authors Joshua Lubwama (Commonwealth Short Story Prize, Africa region), Yvonne Kusiima (finalist, Caine Prize for African Writing) and Zabu Wamara (joint winner, Island Prize 2025) discussed how winning awards had changed their writing and their lives.
But it was the all-female panel during the discussion on 'The Imagination Gap: Who Gets to Imagine the Future?' that caused sparks to fly. Kenyan writer Wanjiru Koinange moderated the panel, which included Nigerian creative writing professor Chika Unigwe, Ugandan writer Edna Ninsiima, Ghanaian publisher Ama Dadson, and Cameroonian-German writer Mirrianne Mahn.
Just before that, Dr Gladys Kalema-Zikusooka, Uganda's first wildlife veterinarian, read excerpts from her book, Walking with Gorillas. She was joined by Deborah Tendo — Kenyan with a Ugandan father — whose book, Rough Silk, is about father-daughter relationships.
The festival continues today, Sunday, at the National Theatre.